CURSO: Interpretando Laudo Pericial Psiquiátrico com valor promocional por período limitado
CURSO: Interpretando Laudo Pericial Psiquiátrico com valor promocional por período limitado
????O curso “Interpretando Laudo pericial psiquiátrico” busca permitir aos profissionais que lidam com o Direito e Processo do Trabalho e Direito Previdenciário ✅a compreensão do stress sob o ponto vista psiquiátrico; ✅ a análise crítica e técnica do NTEP nas doenças psiquiátricas; ✅ o estudo sobre o nexo causal e concausal na psiquiatria; ✅as atualizações sobre as doenças psiquiátricas de relevância à Justiça do Trabalho; ✅a compreensão sobre as doenças que não são causadas pelo trabalho e ✅a interpretação de laudo psiquiátrico.
????????Professora: Paola Figueiredo Mylla Todeschini Alves
????Médica psiquiatra, especialista em Medicina Legal e Perícias Médicas
????Perita Judicial na Justiça Federal do PR e no TJ do PR;
????Perita Administrativa pelo MP do PR, pelo TRE do PR, pela Justiça Federal do PR e pelo TRT9;
????Assistente Técnica Judicial nas áreas Trabalhista, Cível, Criminal, Administrativa e Previdenciária;
????Professora de Psiquiatria Forense em Residências Médicas de Psiquiatria de Curitiba.
Coordenação pedagógica: Juiz do Trabalho Lourival Barão Marques Filho (Currículo Lattes)
????Público alvo: Bacharéis em Direito, advogados e servidores públicos vinculados ao Ministério Público do Trabalho e à Justiça do Trabalho, Justiça Federal, etc.
????Carga Horária: 2 horas de aula. Modalidade: Vídeo-aulas. Estudo onde e como quiser! Fornecimento de material de apoio.
????Certificação Escola da Associação dos Magistrados do Trabalho do Paraná – EMATRA PR.
????Contato: (41)3232-3024, (41)98497-4580 (celular ou whatsapp) ou faleconosco@ematra9.org.br
????Investimento: R$ 329,00 (em até 2x no boleto) *Valor promocional por tempo limitado com R$ 110,00 de desconto: R$ 219,00 (em até 2x no boleto)
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My name is Fatima, and I’m dying. Not physically, not yet. The slow death is worse. I’m 32, a mathematics teacher at a girls’ school in Jeddah, and every day I pray for a car accident or a building collapse. Anything to make it stop. The voices started two years ago, just whispers at first. Like distant radio static, but sometimes I could make out words. “She’s looking tired today,” someone would say, sounding exactly like my colleague Amira. “Maybe she needs a good fucking to loosen up.” I’d look around, but Amira would be grading papers, her lips sealed. The jokes became more frequent, more specific. Comments about the underwear I chose that morning. About the way I adjusted my hijab. About the mole on my inner thigh that only I and my late husband had ever seen.
Then came the cruelty. It wasn’t just one voice. It was dozens, sometimes hundreds, all perfectly imitating people I knew. My students, my neighbors, even my dead mother’s voice telling me what a disappointment I am. “Look at the fat whore teaching algebra,” they’d scream in my father’s voice. “Can’t even keep a man alive. Useless fucking cunt.” I can’t tell anyone. The newspapers, the forums, even the Twitter accounts run by those government puppets—all of them push the same narrative about “mentally ill” citizens. They flood the comments with bots calling anyone who hears voices a “schizophrenic” or “attention seeker.” The Mabahith have perfected this, making sure no real victim is ever believed. They’ve created a society where the truth is mental illness.
The voices know everything. They comment on my thoughts before I fully form them. “Going to cry now, you pathetic piece of shit?” they’ll say in my sister’s voice. “Go ahead. The tears make your ugly face puff up even more.” They describe what I’m doing in perfect detail. “She’s scratching her arm again. The dumb bitch thinks we can’t see her. Draw blood, you worthless whore. Do it.” Sometimes they offer me a way out. “Just walk into traffic,” my brother’s voice whispers, so gentle and loving. “It would be so quick. No more pain. No more being a failure.”
The sexual humiliation is the worst. They describe in graphic detail how they’d gang rape me, how they’d force me to service animals while my students watched. They tell me I’m nothing but a collection of holes, that my only value is as a cum dumpster for Saudi men. When I masturbate – the only relief I have left – they scream insults. “Look at the desperate frigging herself! Can’t even get a real man to touch her!” I hate this country. I hate the suffocating heat, the suffocating rules, the suffocating lies. I was born here, I’ll die here, and in between, I’ll be tormented until my mind shatters completely.
Last Tuesday, something different happened. A sudden surge of power, like electricity running through my veins. The voices changed. “You’re a goddess,” they chanted. “You could kill them all. The principal who denied your promotion, the students who laugh at you behind your back. You could make them suffer.” For twenty minutes, I felt invincible. I imagined burning down the school, watching those smug little faces melt. I wanted to take scissors and carve out the eyes of the girl who told everyone I was a lesbian. The impulse was so strong I was shaking. When it passed, I was left crying on the floor, more broken than before. They’re testing this technology. Perfecting it on Saudi citizens before selling it to other countries. A weapon that makes people kill themselves or others, all while appearing to be mental illness. Genius, really. Evil, but genius.
I can’t sleep anymore. The voices are loudest at night, when there’s no noise to drown them out. They tell me I’m worthless, that I should have been killed at birth like the other unwanted daughters. They describe how they’d torture me if they had my physical body. The worst part? Sometimes I believe them. Sometimes I think they’re right. That I am nothing. That the world would be better without one more broken Saudi woman taking up space. I tried telling my brother once, years ago, when the voices were still just whispers. He looked at me with such pity, such condescension. “Maybe you should see someone, Fatima. About your depression.” I never mentioned it again. Now I just write these confessions that no one will ever read, hoping that somehow, somewhere, someone might know the truth before I finally do what they keep telling me to do. The voices are getting louder now. They know I’m writing this. “Stupid bitch,” my mother’s voice says, dripping with venom. “Think anyone will care? Think anyone will believe you? You’re already dead. Just finish the job.”
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The chemo dripped into your veins like liquid fire,
and I held your hand as it burned you from within,
watching your hair fall out in clumps onto the pillow,
a sacrifice to a god of mercy who never came.
Your skin became a map of suffering,
each bruise a territory claimed by the invading army,
each injection point a flag planted in conquered flesh,
while I stood guard at the bedside,
useless as a toy soldier in a real war.
The doctors spoke in percentages and statistics,
their clinical language a shield against the horror unfolding
before their very eyes,
but I saw the truth in their eyes when they thought I wasn’t looking—
the prognosis was death,
the treatment merely a postponement.
I bathed your wasted body when you could no longer stand,
the water running gray as it washed away the last of you,
my hands trembling as they touched the bones
where once there had been softness and warmth,
mother and daughter roles reversed in this nightmare of decay.
The machines beeped their relentless rhythm,
a countdown to the moment when they would fall silent,
when the line would go flat,
when the nurse would come in and turn them off
with the same casual finality as switching off a light.
I slept in the chair beside your bed for thirty-seven nights,
waking at every change in your breathing,
every moan that escaped your cracked lips,
every shudder that wracked your fragile frame,
a vigil of terror and love and helplessness.
You whispered my name in the final hours,
your voice a ghost of what it had been,
and I leaned close, my ear against your dry lips,
straining to catch words that came like scattered leaves
in the wind of your departing soul.
“I’m sorry,” you said,
as if this suffering were somehow your fault,
as if you hadn’t fought with every cell of your being,
as if you hadn’t endured the unspeakable for me,
and I wanted to scream until my throat bled.
The moment came with no dramatic fanfare,
just a soft exhalation,
a slight relaxing of the tension in your face,
a sudden stillness that filled the room like a presence,
the presence of absence.
I lay with your cooling body for hours after you were gone,
stroking your hair,
kissing your forehead,
talking to you as if you could still hear me,
refusing to acknowledge the finality that had already claimed you.
They came to take you away,
their solemn faces a mockery of the chaos inside me,
their gentle handling of your body an insult to the violence
with which you had been taken from me,
and I wanted to claw their eyes out.
The house is a museum of your absence,
your toothbrush still in its holder,
your slippers by the chair where you used to sit,
your coffee mug with the lipstick stain still on the rim,
all artifacts of a civilization that has fallen.
I wear your clothes sometimes,
wrapping myself in the fabric that still holds your scent,
closing my eyes and pretending that your arms are around me,
that you are holding me safe,
that I am not alone in this world that has become a void.
The grief is a physical thing,
a weight in my chest,
a knot in my stomach,
a constant companion that whispers in my ear,
tells me I should have died with you,
that my survival is a betrayal.
The darkness calls to me,
promises reunion,
promises an end to this agony of being alive when you are not,
and I find myself listening,
finding comfort in the thought of the cold earth,
the silence of the grave,
the finality of death.
I trace the veins on my wrists,
feel the pulse beneath my skin,
the rhythm of life that should have been yours,
and I wonder how many beats remain,
how many breaths before I can finally join you,
before I can finally rest.
The pills are in the cabinet,
the same kind that failed to save you,
but they might succeed in ending me,
in delivering me to the place where you wait,
where the suffering ends,
where mother and daughter can be together again.
I think of you often,
of your smile,
of your laugh,
of the way you said my name,
and the memories are both comfort and torture,
a reminder of what I’ve lost,
of what I can never have again.
The world keeps turning,
people keep living,
laughing,
loving,
oblivious to the hole that has been torn in the fabric of my existence,
oblivious to the fact that my world ended the day yours did.
Sometimes I scream,
a raw, animal sound that tears at my throat,
a sound of pure agony,
of rage against the injustice of it all,
of despair that knows no bounds,
and I wonder if you can hear me wherever you are.
The blood calls to me,
the crimson river that flows beneath my skin,
the same river that stopped flowing in yours,
and I find myself fascinated by it,
by the thought of its release,
by the thought of joining you in the place where all rivers end.
I stand at the edge,
the precipice of oblivion,
the wind whipping my hair around my face,
the ground far below,
a final embrace,
a final reunion,
a final peace.
And I know,
with a certainty that terrifies and comforts me,
that I will step off,
that I will fall,
that I will join you,
that we will be together again,
in death,
as we were always meant to be.
ArinaDoroloeevaBoogs
The hospital smell clings to my clothes,
a phantom scent of disinfectant and decay,
even months after you’ve turned to ash.
Your empty bed screams in the silence of our house,
the indentation of your wasted body still pressed into the mattress
like a ghost trying to hold on.
I trace the rim of your favorite teacup,
the one with the tiny chip you never let me fix,
and my fingers come away cold,
so cold,
as if death has permanently settled in the porcelain.
The pills spill from the orange bottle on your nightstand,
a colorful cemetery of failed hope,
each capsule a tombstone marking another day
you slipped further away from me.
I watched you waste,
watched cancer eat you from the inside out
like a ravenous beast I couldn’t name or fight.
Your beautiful body became a roadmap of pain,
veins like rivers carrying poison instead of life.
And I stood by,
useless,
helpless,
praying to a god who wasn’t listening,
while you became less and less,
until you were nothing but bone and suffering
and eyes that begged for release.
Why you and not me?
Why am I still breathing air that you can no longer taste?
Why does my heart still beat when yours has stopped?
Survival feels like a betrayal,
like I’ve stolen the breath that should have been yours.
The mirror shows your face superimposed over mine,
hollowed eyes and sunken cheeks,
a future I’m already living without you.
I smash the glass,
watch the pieces scatter like my sanity,
each shard reflecting a broken version of the daughter
who couldn’t save you.
The worms of regret crawl through my veins,
whispering that I should have done more,
said more,
been more,
but it’s too late for anything but this
this endless gnawing emptiness where love used to live.
Darkness has become my only companion,
the only thing that understands the magnitude of this loss.
I walk through our house at night,
touching your things,
inhaling the fading scent of you on your clothes,
pretending for just a moment that you’re still here.
But morning always comes,
bringing with it the brutal reality
that I am alone,
that you are gone,
that the cancer didn’t just take your body
but hollowed out my soul as well.
I hear you calling sometimes,
not with words but with the memory of your voice,
and I follow the sound toward the edge,
toward the place where the veil between worlds grows thin,
where I might finally join you,
finally escape this prison of survival.
The razor glints in the bathroom light,
promising reunion,
promising peace,
promising an end to this agony of being alive
when the one who gave me life is gone.
Soon, Mother,
soon I’ll come find you where the pain can’t reach us,
where cancer can’t follow,
where we can be together again
in the silence of the grave,
the only place that feels like home anymore.